My work is an exploration of the Mironian space of form and fantasy -- a liminal terrain where the visible and the invisible coalesce, and where ornament becomes ontology. Drawing inspiration from the fractal nature of our physical reality, I use pattern as both language and lens. The shapes I employ -- floral, symmetrical, chaotic—are not merely decorative; they are mnemonic devices, echoes of a deeper geometry that underpins our shared existence.

In this series, vibrant motifs reminiscent of damask traditions are recontextualized through a contemporary lens, smeared and dripped to disrupt their symmetry and suggest motion, decay, rebirth. These gestures are intentional ruptures, inviting the viewer to question the stability of perception. What do we see when we look at a pattern? A flower? A system? A memory? And who decides?